Legacy Lookbook (2025)

For this campaign, the big idea was to showcase two generations of sorority sisterhood.The overall art direction took on a vintage 80s aesthetic. To replicate the same vibe from this era, I was inspired by old TV commercials and print adverts that distinctly screamed retro.I added a CRT filter and incorporated old-school transitions and animations to make it more realistic!

Rush Campaign (2023)

A marketing campaign to promote the internship program where college students can apply as Campus Managers at Fresh Prints.The idea was to share anecdotes from both current and former Campus Managers. Alongside the serious ads, we also put out some light-hearted video content intended as a satirical take on Greek Rush culture.Both types of content were used as ads on LinkedIn, YouTube, as well as Instagram, and TikTok.

BTS: How To Merch Page (2025)

The goal was to create brief yet engaging video tutorials that will be used for a subpage in Fresh Prints' website.We wanted it to be straightforward and familiar, so I opted to rely on motion graphics doing all the work and avoid any kind of worded instructions.Aside from these tutorials, I was tasked to direct behind-the-scenes footage of different print types the company offers. These videos can be found throughout the page. Additionally, they were also used as separate assets for a different subpage.

Corp.FP (2023, 2024)

Every year, the corporate site intended for non-collegiate clients gets an update during the holiday season.Each holiday campaign comes with new visuals. These visuals would carry over to the corporate site's landing page including its subpages for the rest of the year.

Don't Kitchen Out! (2021)

For our TV production class, we produced a limited digital show comprised of streaming live elements, experimenting with animations, and handling production logistics.As part of the team who pitched the original concept, I also served as the Master Editor and Associate Producer in the three-episode series.The series went on to receive accolades including Best Broadcast Design in the interblock competition awards night: Streamcon.

Abot Sabi (2019)

Part of the annual DocuFest held among the second-year Communication students. Conceptualized and edited the official trailer, as well as giving creative direction to the narration and musical score of the documentary.Served as co-editor along with Martin Valdez.

Toto(o) (2023)

Featured in the yearly thesis film showcase of graduating Digital Film students of Mapúa University.My main tasks as the editor were forming the pacing of the film and making sure the overall flow is consistent with the director's vision.

System Error (2021)

Created as a group project in my video production class. We were instructed to create a short film remotely, so we took inspiration from the rising popularity of livestreams but in the perspective of a socially conscious viewer.Directed, co-written, and co-edited by me.

Langit Lupa (2017)

My first film work was a major class production. It was a 27-minute short film that I co-directed, co-written, and edited.This project served as my starting point in the field as it challenged me to be creative in writing and visualizing the story.An excerpt of the film was featured in the Hidden Cinema exhibit held at the Ayala Museum back in 2018.

Ugong ng Bangketa (2020)

Part of the lineup for Alay-Sining’s Pagmulat 2020. The play took place during lockdown so actors had to film within their own means. The direction of the play was similar to a short film but we retained the idea of collages in order to provide context to the viewer that some characters are in a scene together.Served as editor.

Walang Kawala (2021)

Used stock footage to serve as a visualizer for descriptive monologues. Created the visual effects in order to provide better understanding of the context of the piece, such as the surveillance monitors and the distorted TV analog effect in the primary scene.Co-edited with Jhajha Escuro.